Opened: September 18, 1937 with Spencer Tracy in "Captains Courageous" along with John "Dusty" King in "The Road Back." Thanks to Bill Gabel for the research. The location was on the north side of the street just west of La Cienega Blvd.
The painting of the Lido's facade is from the collection of Bruce Kimmel. He comments: "This
painting adorns the cover of my first novel, 'Benjamin Kritzer.' It was
done by Harvey Schmidt (composer of 'The Fantasticks'). I sent him a
photo of the Lido from 1956 and told him what to put on the marquee (a
double bill I saw there). He did a magnificent job." Thanks, Bruce!
The project was announced in the August 28, 1936 issue of Southwest Builder and Contractor, according to research by Joe Vogel. Thanks to Jeff Bridges for locating this item in the March 21, 1937 issue of the L.A. Times:
"COMBINED STORE, BANK, THEATER BUILDING RISING - Construction is under way on a theater, store and bank building at the northwest corner of Pico and La Cienga Boulevards for Pacific States Theaters, Inc. Contract was awarded to the Wesco Construction Company at $52,000. Architect C.A. Balch designed the structure. The building will contain a theater auditorium with seating capacity of 900, three storerooms and branch banking quarters for the Bank of America National Trust and Savings Association."
For
years it was operated by National General and, later, Mann Theatres. It
had a good run as an art venue, a revival house and, at the end, was a
bargain theatre.
Architect: Clifford A. Balch
Seating: It was 936 after a reseating in the 60s. Later it was down to 880.
Interior views:
A look toward the screen and the new lowered ceiling after the 1962 renovations. It's an image from the October 22, 1962 issue of Boxoffice. Their caption:
A 1945 view of the Lido with "Our Vines Have Tender Grapes" as the attraction. The photo appears in the Arcadia Publishing book "Theatres in Los Angeles" by Suzanne Tarbell Cooper, Amy Ronnebeck Hall and Marc Wanamaker. The photos in the book are from Mr. Wanamaker's Bison Archives.
Thanks to Ken McIntyre for posting it on the Facebook page Photos of Los Angeles. It also appears on the page Vintage Los Angeles and in an album of Jeff Bridges on Flickr.
A 1951 look west on Pico across La Cienega toward the Lido. It's a Julius Shulman photo in the collection of the Getty Research Institute. He was out photographing various branch offices for Bank of America. The Getty indexes this one as Shulman job #967: Raymond Shaw / Bank of America. Shaw was the architect of the bank building, still there but with an ugly re-do.
The set of 3 photos also includes a shot looking north on La Cienega toward the intersection of Pico. Also see more Shulman photos on the Getty site.
A c.1961 view posted on the Mid Century Modern Los Angeles Facebook page by Michael Snider. The Lido was running "Saturday Night and Sunday Morning" and "Make Mine Mink." Bruce Kimmel also added this one to the Los Angeles Theatres Facebook page. The photo also appears in the Photobucket album of White Sheik.
The Boxoffice magazine issue for October 22, 1962 had a story about the renovations at the theatre that included this photo. Fox West Coast had spent $100,000 for work including a new marquee and boxoffice off to the side. The caption:
We get a quick look at the Lido when Beau Bridges and Ron Leibman are on Pico in "Your Three Minutes Are Up" (Cinerama Releasing, 1973). Thanks to Eric Schaefer for spotting the theatre in the film and getting the screenshot. This road trip buddy movie also features Janet Margolin, Kathleen Freeman and David Ketchum. Douglas Schwartz directed. The cinematography was by Stephen M. Katz.
The Lido on TV:
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Dear Bruce - Thank you for preserving this marvelous history of LA's many neighborhood movie theaters. The Lido became a favorite "art house" cinema during the 1960s. Antonioni's controversial movie "Blow Up," shot partly in Southern California, had its exclusive Los Angeles engagement here at the Lido. I drove from Pasadena to come see it. I fell in love with the theater and later moved into the neighborhood when I married my wife, actress Shelley Morrison. My wife (who lived in the neighborhood since 1946) and I were so sad when the theater was demolished to make way for - what else in LA - a parking lot for the Bank of America.
ReplyDeleteThanks for your comment, Walter. Yes, it's terrific that Bruce has helped keep the memory of the Lido alive. -- Bill
DeleteI was a relief projectionist at the LIDO and remember running That's Entertainment in 4 track Stereophonic Sound there.
DeleteJust because I always like to shout it from the mountaintops, Walter Dominguez's beautiful wife Shelley Morrison was majorly responsible for my having a successful acting career. Heaven knows what would have happened were it not for her. I dedicated my first memoir to her.
DeleteHey there. I just found some interior shots of the Lido - they may be the same that you have from Box-Office but these are all first generation photos. I'll send them to you - what's the best way?
DeleteSounds great! My email is counterb@gmail.com
DeleteMy sister worked at the Lido in the 1960s. I remember seeing The Fixer, and Elvira Madigan there.
ReplyDelete