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Ricardo Montalban Theatre

1615 Vine St. Los Angeles, CA 90028 | map |


Opened: January 19, 1927 as a legit operation, Wilkes Vine St. Theatre. An adaptation of Theodore Dreiser’s "An American Tragedy" was the initial production. While it has been used for live theatre for most of its long life, it has also been a radio production studio and film house. This 1927 view was taken as the theatre was getting ready to open. It's a Los Angeles Public Library photo. The Bruce Torrence Historic Hollywood Photographs collection has a slightly wider version of it, their #T-049-9

Phone: 323-871-2420  Website: www.themontalban.com | on Facebook | Rooftop Cinema |

Architects: Myron Hunt and H.C. Chambers

Seating: 1,200 originally -- now down to 970.

The theatre was initially a project of Cecil B. DeMille. In "City Competes With Broadway," a February 7, 1926 L.A. Times article about four new theatres underway, they call the venture "DeMille's playhouse," and noted that although "C.B. DeMille's theater has not yet reached the steam-shovel stage...[it] has already been leased by Wilkes brothers as a playhouse for the spoken drama." For reasons unknown, DeMille's project didn't happen. Perhaps he couldn't get the lot he wanted.

Frank B. Strong and John F. Wilson took over the project and used the plans that had been drawn up for DeMille. Mary Mallory's Only in Hollywood article "Montalban Theatre Continues History of Multi-Media Uses" details what came next:

"Strong and Wilson approached real estate man Jacob Stern, who owned property adjacent to the prime intersection of Hollywood Boulevard and Vine Street...In September 1924, Stern had subdivided the property and created an exclusive hotel called the Hollywood Plaza just south of Hollywood Boulevard on Vine Street on part of the acreage. Realizing the prime location made purchasing it too prohibitive, Strong and Wilson decided to take out a 99 year lease with Stern at 1615 Vine Street in order to construct the theatre proposed by DeMille, using the same plans drawn up by renowned architect Myron Hunt..."

The contractor for the project was Scofield Engineering - Construction Co. Earlier this land had been the Robert Northam estate. Northam's barn, originally at the southeast corner of Selma and Vine, is now the Hollywood Heritage Museum opposite the Hollywood Bowl.  The new developers ended up leasing to the same tenants that DeMille had lined up: Alfred G. and Thomas Wilkes. On the construction fencing it's identified as the Wilkes Brothers Hollywood Theatre.

The brothers had also operated theatres in San Francisco and were briefly involved with what was later known as the Grand Theatre downtown. They originally planned to call the new house the Queen Theatre. This article appeared in the May 2, 1926 issue of the L.A. Times:



The attractions they were envisioning for the start of their season got changed, along with the name of the theatre and the time of the opening. And, despite what the article says, it wasn't the "property of" the Wilkes brothers. They were just tenants. Thanks to Mike Hume for finding the article for the page on his Historic Theatre Photography site about the Montalban.



This lobby drawing of the Vine Street by A.L. Ewing was part of "Hollywood Becoming Another White Way of Show World," a full page spread in the L.A. Times issue of January 16, 1927 that discussed the Vine Street and the Hollywood Playhouse along with other new Hollywood theatres. Thanks to Mike Hume for locating this. He has made the full page available as a PDF.



A January 19, 1927 article in the L.A. Times. Thanks to Mike Hume for locating it.

The Wilkes name on the verticals didn't stay long. Soon they were out of the picture and it was just called the Vine Street.
 
 

A 1930 ad in the Times for Andy Wright's play "Philadelphia."


 
"The Beauty Spot of Hollywood" - On March 12, 1931 the Vine St. Theatre became a cinema, the Mirror, under the direction of the Hughes-Franklin circuit. Thanks to Ken McIntyre for finding this opening day ad for a post on the Photos of Los Angeles Facebook page.

The Mirror ran double features with 3 changes a week. They did a remodel and a flashily elaborate deco marquee was installed. The circuit was run by Howard Hughes and Harold B. Franklin, a former president of Fox West Coast Theatres. Among other theatres, they also operated the Studio (later the Holly Theatre) on Hollywood. Blvd. The Pittsburgh Press ran a story about the formation of the circuit by the "young Texan" on December 29, 1930.

By mid 1931 it became apparent that the movie business was terrible and getting seriously worse. They started liquidating their holdings. Hughes, of course, later ran RKO, among other adventures. The Hughes-Franklin circuit was supposed to run the Leimert Theatre but the company had fallen apart by the time that one opened in April 1932. Franklin left the company near the end of 1931. The Motion Picture Producers archive notes that Franklin went on to positions with Keith Albee Orpheum and RKO. A collection of Franklin's papers is in the AMPAS Archives
 

A 1933 ad for the Mirror. Thanks to Ken McIntyre for locating it for a post on the Photos of Los Angeles Facebook page. The theatre was listed as the Mirror in the 1933 city directory.

In February 1936 it became the Studio Theatre and as late as the summer of 1936 was still running films. By this time the earlier Studio Theatre on Hollywood Blvd. had been rebranded as the Colony. It ended up as the Holly.

Later in 1936 CBS took over the Vine St. venue and started calling it the CBS Radio Playhouse in addition to continuing with the Studio name on the signage. From 1936 to 1939 the theatre was the home of the Al Jolson show. The fun marquee soon came off (and, with it, the Studio name) and was replaced by a small canopy with a moderne feel. Huntington Hartford bought the building from CBS in 1953. An excerpt from a July 10, 1953 story Ken McIntyre found in the L.A. Times:

"CBS Radio Theater Sold To Hartford - Columbia Broadcasting System announced sale of its CBS-Radio Theater at 1615 N. Vine Street to Huntington Hartford III, food chain heir, for a figure in excess of $200,000. It was understood that Hartford acquired the theater - scene of many radio shows since 1936 - as a legitimate stage theater and theater workshop. Formerly known as the Vine Street Theater, the house was acquired by the radio network in 1936 and was operated by the Vine Street Realty Corp., a wholly owned subsidiary of CBS."

Hartford gave the place a "modernizing" with the redesign by decorator Helen Conway. It re-opened as a legit venue in 1954 named the Huntington Hartford Theatre. The initial show was  "What Every Woman Knows" with Helen Hayes.


A May 1960 ad for Josephine Baker's revue. Thanks to Ken McIntyre for finding it for a post on the Photos of Los Angeles Facebook page where he also has an article about the show. 


The theatre had another spell as a film house in 1962 for the west coast premiere engagement of Sidney Lumet's "Long Day's Journey Into Night," with Jason Robards, Katherine Hepburn and Ralph Richardson, opening December 18, 1962. Filmgoers even got a program. It's from the collection of Daphne Lowe/Pippa Anderson. There's a page about the film on the archive eoneill.com.

In 1964 the theatre was sold for about $1 million to the Greek Theatre Association, Inc., a partnership of James A. Doolittle and San Francisco theatreman Louis Lurie. Among Lurie's holdings was the Curran Theatre. Five years earlier the team had purchased the Biltmore when it was threatened with demolition, then did a sale/leaseback. Instead of renewing that lease, they decided to move their operation to the Hartford, at the time on the market and, as the L.A. Times put it: "In recent years it has been used infrequently and has lived in the shadow of destruction in a location which is giving way to large office buildings."

Doolittle's acquisition of the Hartford and his plans for the theatre were all discussed in "Biltmore Theater Again Appears to Be Doomed," a May 3, 1964 L.A. Times article that was located by Mike Hume. Yes, the Biltmore was indeed doomed. The vision for the Hartford was that the programming would include opera and ballet in addition to theatre. The article is reproduced at the bottom of the page for the Biltmore Theatre. In the article, Doolittle is quoted as saying: 

"We were motivated when we found out it was on the public market for sale. It was to be sold for a commercial development. The legitimate theater today is a totally impractical economic venture... This city has been too much of a spectator, not enough of a doer. I don't think we can take our position as a great theater center unless we create the environment - not just book and play productions... We'll be operating at a deficit, but it won't be staggering. We've had too much experience ever to be too optimistic. We're well aware of the problems in this."
 
In 1984 UCLA began negotiations to purchase the theatre and by February 1985 the purchase was consummated. The theatre was renamed the James A. Doolittle Theatre and part of the deal was that Doolittle could program the house for up to seven weeks a year for the next five years. UCLA and their operating partner Center Theatre Group, in a joint venture called The Theatre Group, Inc., began renovations. 
 

The reopening as the Doolittle was October 8, 1985 with a production of "The Garden of Earthly Delights" by Martha Clarke. This ad from the UCLA/CTG joint venture appeared in the L.A. Times on September 22, 1985. Thanks to Mike Hume for locating it. In the early 1980s CTG had been producing shows at the Earl Carroll/Aquarius Theatre.

From 1989 until 1995 CTG presented many shows at the Doolittle as their big house, the Ahmanson, was booked with "Phantom of the Opera" from May 1989 to August 1993, then under renovation until January 1995, and occupied with "Miss Saigon" from January to October 1995. CTG productions at the Doolittle included "Fences" with James Earl Jones, "Six Degrees of Separation" with Marlo Thomas and Donald Sutherland, "Jake’s Women" starring Alan Alda, "Fool Moon" with Bill Irwin and "Falsettos." One of the last of the CTG shows at the theatre was Patrick Stewart’s adaptation of "A Christmas Carol" in December 1996. Thanks to Mike Hume and David Peake for the data.

The Ricardo Montalban Foundation bought the building in 1999 for use by the UCLA-affiliated Spanish language theatre group Nosotros.

Stage specifications: 

Proscenium: 38' wide x 24' 10" high

Depth: 34' from smoke pocket to back wall

Centerline to SL wall: 33'

Centerline to SR pinrail: 32'

Flyfloor: SL, 22' 8" above stage level

Paint bridge: along the back wall

Grid height: 56' 6"

Linesets: 47 wire guide sets with 4 lift lines. Lockrail and pinrail are at stage level stage right.

Dimmers: 96 2.4 Kw -- patched downstage right

Road power: 2 400A single phase DSR, 1 100A single phase for sound DSL

Screen size: 22' x 42'

Projection: DCP capable with a NEC 2000-C unit, 18K lumens

Dressing rooms: 2 star rooms SL, 6 small rooms SL on 2nd and 3rd floors, 1 chorus room SL on the 4th floor. 



A stage plan. It appears here courtesy of Ricardo Ortiz-Barreto, the Montaban's Producer/House Manager. Thanks to Mike Hume for obtaining the tech data. See his Montalban Theatre page for more details and a fine photo portfolio.

Status: The theatre reopened in 2004 as the Ricardo Montalban with a resident troupe featuring works for young people, frequently in Spanish. A variety of film festivals, rentals and other legit programming now round out the schedule. The facade has been restored to a simulation of its 1927 appearance. Rooftop film screenings in the spring and summer began in 2017.


The Montalban in the Movies:


In "Lady Killer" with James Cagney and Mae Clark (Warner Bros., 1933) we get a shot up Vine St. toward the theatre with Hollywood Blvd. just beyond. Thanks to John Bengtson for spotting the theatre in the film. His terrific Silent Locations article "How James Cagney Filmed Lady Killer" does a fine analysis of some of the film's locations. See the Historic L.A. Theatres in Movies post for a shot of the marquee of the Warner Bros. Downtown Theatre.



We get a fine view north on Vine St. toward the theatre in "My Dream Is Yours" (Warner Bros., 1949). Here it's a radio studio with the vertical signs saying "CBS" and "KNX." Michael Curtiz directed Jack Carson and Doris Day in the story of an agent who will try anything to turn an unknown singer into a star. See the Historic L.A. Theatres in Movies post for another Montalban shot as well as one with the Chinese in the background. 



Dick Van Dyke and Mickey Rooney are on Vine with the Huntington Hartford in the background in Carl Reiner's "The Comic" (Columbia, 1969). They're old silent film performers trying to guess whose star they're standing on. See the Historic L.A. Theatres in Movies post for shots of the Carthay Circle and Silent Movie Theatre from the film.

Bruce Kimmel notes that the show at the theatre at the time of the filming was the great national tour production of "Plaza Suite" with Dan Dailey and Lee Grant.


Small town waitress Christina Aguilera hits Hollywood looking for work in "Burlesque" (Sony / Screen Gems, 2010) and stumbles upon a Hollywood club run by Cher and falls in love with the place. The Montalban is used for the exterior, the interiors were done on a set. Steve Antin directed the film which also stars Stanley Tucci, Cam Gigandet, Peter Gallagher, Kristen Bell, Julianne Hough, Eric Dane and Alan Cumming. See the Historic L.A. Theatres in Movies post for three more shots at the Montalban and a look at the Chinese.  


Lobby areas:


The lobby bar in 1954. The Herald Examiner photo by Lapp is in the Los Angeles Public Library collection as well as in a 14 photo set in the USC Digital Library collection.



Looking down from the balcony level after the 1954 renovations. The Herald Examiner photo is in the Los Angeles Public Library collection as well as in a set in the USC Digital Library collection.



The main lobby. It's a 2016 photo from the Montalban Theatre appearing on Yelp.



Another view from house right. Photo: Bill Counter - 2019



Looking out the doors toward Trader Joe's. Photo: Bill Counter - 2019



The house right stairs. The men's room is tucked underneath. Photo: Mike Hume - 2017. You'll find more of his photos on the Montalban page of his Historic Theatre Photography site. Also pay a visit to his Historic Theatre Photography page on Facebook.



On the landing. house left. Photo: Bill Counter - 2019 



On the right, looking toward the upstairs bar area. Photo: Bill Counter - 2019



The balcony gallery and bar area. It's a 2013 photo on the Yelp page about the theatre.


 
A view from the house right end. The windows look onto Vine St. Photo: Bill Counter - 2019



The west side of the space with an overlook to the main floor. Photo: Bill Counter - 2019  


The auditorium: 


This is the only image to surface so far showing anything of the theatre's original interior decor. It's from an ad for Calacoustic sound absorbing plaster in the March 1927 issue of Architect and Engineer. The issue is available on Internet Archive.



A look across the house. It's James Doolittle in a perhaps 1960s Delmar Watson photo in the Los Angeles Public Library collection.



A 1954 stage view from the balcony. On stage is the set for the first show as the Huntington Hartford: "What Every Woman Knows."  It's a Herald Examiner photo in the Los Angeles Public Library collection as well as in a set taken for the opening that's in the USC Digital Library collection.



The theatre set up for a movie night.  Photo: Bill Counter - 2019 



A view across from house left. Thanks to Wendell Benedetti for his 2017 photo, originally appearing on the Los Angeles Historic Theatre Foundation Facebook page.



Another look across from house left.  Photo: Bill Counter - 2019 



A look across from house right. Photo: Mike Hume - 2017


 
The rear of the auditorium from house right.  Photo: Bill Counter - 2019 



A 2013 look toward the rear of the auditorium appearing on the Yelp page for the theatre.



The balcony vista in a 2015 photo from Yelp.


Backstage: 


The guys on the board backstage in September 1954 for the reopening as the Huntington Hartford. It's a Herald Examiner photo by Lapp -- one in a set of 14 views in the USC Digital Library collection.



The vista across from stage left. Photo: Mike Hume - 2017



A closer look at the rigging. Photo: Mike Hume - 2017. Thanks! See his full photo set on the Montalban page of his Historic Theatre Photography website.


More exterior views: 


1926 - Construction beginning. In the title block on the photo it's referred to as the Strong Wilson Theatre. It's a May 21 photo taken from the Plaza Hotel that's in the collection of the Los Angeles Public Library. That's the Lasky-DeMille Barn on the left across Selma St. By 1928 it would be moved to the Paramount lot. Also see a slightly earlier view in the collection. 



1926 - Rebar and forms are rising during construction of the theatre. On the fencing it's identified as the Wilkes Brothers Hollywood Theatre with Strong and Wilson as owners. Thanks to the amazing Bruce Torrence Historic Hollywood Photographs collection for the photo, their #T-049-1



1926 - The view down onto the balcony during construction, another taken from the Plaza Hotel just north of the site. It's a Los Angeles Public Library photo. Thanks to GS Jansen for spotting this and others in the LAPL collection that he featured on his Noirish Los Angeles post #5151.



1926 - A look at the facade as the building nears completion. It's a Los Angeles Public Library photo.



1930 - The evening of the opening of the play "Philadelphia."  The Wilkes name is off the signage and the theatre here is just called the Vine St. Theatre. It's a Los Angeles Public Library photo.



1930 - A view south during the run of "Philadelphia." It's another photo in the Los Angeles Public Library collection.



1930 - Another "Philadelphia" photo looking north toward Hollywood Blvd. It's in the Los Angeles Public Library collection.



 1930 - One last "Philadelphia" view from the Los Angeles Public Library.



1930 - A May 27 photo looking north on Vine St. with the theatre over on the left. The lighting is not for a premiere at this theatre but rather for Howard Hughes' "Hell's Angels" at the Chinese.  Note the billboard on the far right. Over 200 searchlights were employed for the event. The photo has appeared many places including on the Facebook pages The Garden of Allah Novels and Vintage Los Angeles.



1932 - This photo from "The Story of Hollywood: An Illustrated History" by Gregory Paul Williams is perhaps the only surviving view of the theatre with its fancy marquee as the Mirror Theatre. We're down to one vertical sign, soon redone when the theatre became the Studio several years later. Mr. Williams terrific book is available on Amazon. There's a preview to browse on Google Books.

Here they're advertising "All The Best Talkies." The features are "Ladies of the Jury" and Tod Browning's "Freaks," both February releases. Thanks to Bobby Cole for posting a nice version of the photo on the LAHTF Facebook page.



 
1932 - Looking north on Vine St. with Claudette Colbert inspecting Christmas decorations. Behind her we see the stagehouse of what was then called the Mirror Theatre. It's a photo in the Los Angeles Public Library collection.
 


1932 - A wider view of Claudette admiring the decorations on Vine St. The photo is from the Los Angeles Public Library collection. It makes an appearance with "26 Vintage Photographs of Hollywood Boulevard...," a 2018 post on the site Vintage Everyday.  Also on the Library's site see two additional shots from the same shoot.

 

1936 - A lovely shot looking north on Vine St. toward what had become the Studio Theatre. The front of the marquee is unreadable but the end panel says "March Of Time." That newsreel series had its debut in February 1935. Signage on the side of the building says "Studio Theatre Opens Thur. Feb. 13th." The photo, from the California Historical Society, is in the USC Digital Library collection. It also appears in the Los Angeles Public Library collection.



1936 - A photo in the Bruce Torrence Historic Hollywood Photographs collection with the Studio Theatre in use as the CBS Radio Playhouse. It's the collection's photo #RTV-004-1.

The Bruce Torrence collection has many more views of the Montalban. Head to their Theatres album of over 200 photos of various Hollywood theatres. They also have separate albums for some locations like the Chinese, El Capitan and Pantages.



c.1937 - A closer look at the marquee when the theatre was called the Studio. Here the Al Jolson Show is on the marquee. Brought to you by Rinso. The show used the theatre beginning in 1936. On the end panel: "CBS Radio Playhouse."  That lovely marquee was soon to be history. It's a Los Angeles Public Library photo.



late 1930s - A postcard of the theatre, here with new signage as the CBS Radio Playhouse. The fancy marquee installed when it was a film house has been removed -- all we get is a sedate little canopy.  The building next door, Al Levy's Tavern, would later get a remodel and be renamed Mike Lyman's. The card is in the California State Library collection, their item #001533779.



c.1937 - The very nice Noirish Los Angeles post # 5180 by a Mr. Ere featured this photo of the Montalban, here in its CBS days. It comes from page 91 of the 1970 book "Cavalcade of Broadcasting" by Curtis Mitchell, Follet Publishing Co., Chicago. That's the Plaza Hotel off to the right.  The show the banner is for is "Hollywood Hotel" with Campbell Soup as the sponsor. The view appears, with an anecdote by contributor The Sea Hawk, on Flickr. It's also been on the Facebook page Vintage Los Angeles with many comments.



1937 - A shot from across the street. The popular spot to the right of the theatre at the time of the photo was called Mike Lyman's Play Room. It's a Los Angeles Public Library photo.



1938 - A lovely view of the Montalban during its CBS Radio Playhouse years. The photo was on a now-vanished UCLA web page called "Remapping Hollywould" [sic].



c.1948 - We're looking east along Selma St. toward Vine St. in this photo located on eBay by Mr. Ethereal Reality. That's the backstage wall of the Montalban saying CBS. It's on Noirish Los Angeles post #24722.



c.1948 - Thanks to Hector Acuna for this lovely look north on Vine. The theatre is down there in the distance with a "CBS" sign hanging off the corner of the building. Hector had the photo as a post on the non-public Facebook group Mid Century Modern Los Angeles.



1948 - A Frasher Foto Card looking north on Vine St. toward the CBS Studio Theatre and Hollywood Blvd. The Burton Frasher photo is in the collection of the Pomona Library and appears on UCLA's Calisphere. There's also zoom version.



1948 - We get to see a bit of the theatre in this great photo looking north on Vine St. Thanks to Ken McIntyre for this one on the Facebook page Photos of Los Angeles.


 
1949 - An aerial view looking north on Vine toward Hollywood Blvd. The theatre, with signage for KNX (the CBS affiliate) painted on the stagehouse, is just this side of the Plaza Hotel. Thanks to Kirk Henry for locating the photo for a post on the page for the non-public Facebook group Mid Century Modern where Glen Norman commented: "Wow! This must have been shot right before the 'LAND' was removed from the sign. The KNBH marker on the NBC building didn't appear until 1949--the same year the HOLLYWOODLAND sign was taken over by the Hollywood Chamber of Commerce."



1953 - Looking north on Vine St. in a great image from ElectroSpark on Flickr. The theatre, still with CBS signage, is just beyond the Santa Fe sign. Beyond the theatre is the Plaza Hotel.


 
1953 - A lovely shot by Mark Morris looking north on Vine. Note the construction fence -- the theatre is getting turned into the Huntington Hartford. It's in the Los Angeles Public Library collection.
 

1954 - The remodeled theatre showing off its night look sometime before the opening. It's a photo by an unknown photographer that's in the Los Angeles Public Library collection.


1954 - Early in the evening of the opening night as the Huntington Hartford.  The play, with Helen Hayes, was "What Every Woman Knows." The photo was posted by Robert Switzer on the Facebook page Vintage Los Angeles.



1954 - A bit later on opening night. The photo is from the Los Angeles Public Library



mid 1950s - A great noirish look north on Vine St. Thanks to Ken McIntyre for posting it on Photos of Los Angeles.


 
c.1955 - A fine view was located on eBay in 2014 by Noirish Los Angeles contributor Ethereal Reality for Noirish post #27183. It also appears on a 2016 Martin Turnbull blog post about Mike Lyman's restaurant next door. Dorothy Gish was appearing at the Hartford in "The Man," a show she did on Broadway in 1950. Bruce Kimmel comments: "'The Man' is a very interesting play and she had quite a success in it. It was turned into the film 'Beware My Lovely' with Robert Ryan and Ida Lupino. They made the Gish role younger in the movie, which, of course, made hash out of the premise."
 
 

1957 - Thanks to Sean Ault for sharing this photo from his collection.  


 
1960 - A view of the Huntington Hartford marquee as we look north toward Hollywood Blvd. Thanks to Richard Wojcik for the find. His 2011 post of the photo on the Facebook page Vintage Los Angeles was a farewell to the burger stand, closing after 60 years. 

1967 - The theatre's on the left in this shot of the Monkees that appeared in Teen Beat magazine. Thanks to Alex Rojas for spotting the post by Alison Martino on her Facebook page Vintage Los Angeles
 
 

1973 - The theatre in July with Carol Burnett and rock Hudson appearing in "I Do, I Do." Thanks to Richard Wojcik for the photo on Vintage Los Angeles.



1976 - An "Equus" photo from the Richard Wojcik collection on Vintage Los Angeles. Thanks, Richard!



1979 - A photo from the Richard Wojcik collection. The theatre is running "First Monday in October" with Henry Fonda and Eva Marie Saint.  It was a post on Vintage Los Angeles.



1984 - A view north on Vine discovered by Ken McIntyre for the Facebook page Photos of Los Angeles. Angelyne is on the billboard south of the theatre, which was then still called the Huntington Hartford.



c.1985 - A look at the Montalban's stagehouse from the Los Angeles Public Library collection.
 
More Montalban photos in the Los Angeles Public Library's collection: looking north - as the KNX CBS Radio Playhouse c.1936 | looking south c.1937 - KNX -"Hollywood Hotel" - Herman Schultheis | CBS Radio Playhouse - "Texaco Town" | from across the street - CBS Radio Playhouse | facade drawing - 1954 renovation | crowd for opening - 1954 | 1982 exterior - Paul Chinn - "The Supporting Cast" | Noel Coward backstage - 1958 |



2007 - The facade of the Montalban Theatre -- uncovered and somewhat back to its 1927 appearance after decades hiding behind the 1950s Huntington Hartford modernization. Photo: Bill Counter 



2019 - The theatre at dusk. It's now a bit hemmed-in with new construction on both sides. Photo: Bill Counter


On the roof:


2016 - The stylish film theatre on the roof -- with wireless headsets for the patrons. It's from the Rooftop Cinema website. The photo, with a credit to the Montalban, also appeared with a March Hollywood Reporter story "Rooftop Film Club to Return to Hollywood's Montalban Theatre."



2016 - The Montalban from above, a photo from the Rooftop Cinema website.



2019 - A view toward the stagehouse. Photo: Bill Counter



2019 - Looking north toward Hollywood Blvd. Photo: Bill Counter

More information:  See Mike Hume's Montalban Theatre page on his Historic Theatre Photography site for more details and a fine photo portfolio.

Don't miss "Montalban Theatre Continues History of Multi-Media Uses," Mary Mallory's 2019 article on the site Only in Hollywood.

See the page on Cinema Treasures for a nice history of the building, fine research by Ken Roe and links to additional photos. GS Jansen did a great post on Noirish Los Angeles featuring many photos.

The Yelp page on the Montalban has some other interesting photos. There's a 1929 program for "The Youngest" with Franklin Pangborn on Vintage Los Angeles.

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1 comment:

  1. The Rooftop Film Club might have worked out during the Pandemic, given hindsight.

    ReplyDelete